I am Sohye Jung, a ceramic artist and the founder of the ceramic brand fabramics.
My work explores the intersection of textiles and clay, capturing the tactile essence of fabric within the medium of ceramics. This identity is encapsulated in the name Fabramics (Fabric + Ceramics).
The journey began with a simple, playful imagination: 'What if I could dress ancient ceramics in new clothes?' Whether it's a Joseon white porcelain jar or an ancient animal-shaped vessel, I envision them draped in garments.
Drawing inspiration from Gyubang (traditional Korean women’s quarters) crafts, I create ceramics as if sewing a garment stitch by stitch. Using the traditional method of making 'pincushions,' I cut fabric and sew it into voluminous forms. In this process, the flat fabric transforms into a 3D object—sometimes collapsing or wrinkling—rebirthing into an accidental beauty that differs from the original intent.
Through the technique of plaster slip casting, these fabric models are reborn as 'clothed ceramics.' By hand-painting various stitches with blue pigment, each piece takes on a unique expression. From soft, warm white porcelain to various textures of thread and cloth, my ceramics wear a new story with every stitch.
Special Prize, Seoul Contemporary Ceramic Art Competition
4th Solo Exhibition
7th Solo Fair
Group Exhibition
2025 Maison & Objet, Paris, France
2025 Han Ik-hwan Seoul Art Museum, Seoul, Korea
2025 Spring Wonders, Maison de Karine, Busan, Korea
2024 Maison & Objet, Paris, France
2024 PAUSE, Platz2 Seongsu, Seoul, Korea
2024 MONOCHROME, PBG Hannam, Seoul, Korea
2021 Jeju International Fashion Art Exhibition, Jeju Stone Park & 500 General’s Gallery, Jeju, Korea
2018 Korea-China-Japan Ceramic Design Exhibition, Korean Cultural Center, Beijing, China
2017 Korea-China Life Art Ceramic Design Exhibition, Beijing Guozhong Ceramic Art Museum, Beijing, China
Ceramics & Pottery
Craft
My work focuses on reinterpreting traditional ceramic forms through a contemporary lens. This piece is a modern reimagining of ancient Korean goose-shaped earthenware (Gireogi-togi).
In Korea, a pair of mandarin ducks, known as Won-ang, has long been a cherished symbol of marital harmony and enduring love, making them a traditional gift for couples. By infusing the form of ancient earthenware with the symbolism of mandarin ducks, I have sought to capture both the aesthetic essence and the deep cultural meaning of Korea in a single work.
Production Year: 2025
Production Technique: mold slip casting
This set features the 'Mini Long-neck Vase,' which highlights an elegant neckline, and the 'Round-shoulder Vase,' celebrated for its soft, inviting curves. Inspired by traditional Korean white porcelain, each piece is delicately crafted using ramie (mosi) and cotton (gwangmok) fabrics to express their unique forms with exquisite detail.
Production Year: 2025
Production Technique: mold slip casting
This 'Patchwork Cup' captures the delicate texture of fabric, blending unique aesthetic beauty with everyday functionality. The handle area is thoughtfully designed, inspired by the traditional Korean thread spool (Silpae). By recreating the iconic form and tactile feel of the spool, this piece offers a delightful sensory experience. Whether used for ice cream or yogurt, this cup turns sweet everyday moments into something truly extraordinary.
Production Year: 2025
Production Technique: mold slip casting
This oversized mug is inspired by scraps of cloth and patchwork, featuring a plush, voluminous handle that fits snugly in your grip for a sense of comfort and stability. While the interior is finished with a glossy glaze for hygienic daily use, the exterior is coated with a matte transparent glaze to delicately preserve and highlight the fine texture of the fabric.
Production Year: 2025
Production Technique: mold slip casting
This jar is inspired by the Joseon white porcelain faceted bottle, characterized by its distinctly angled shoulders. It captures the cool, refreshing essence of Mosi (traditional Korean ramie fabric), a staple material for Korean summers. The piece breathes with the crisp texture of the fabric, reimagining a classic form with a seasonal, tactile twist.
Production Year: 2025
Production Technique: mold slip casting
This unique vase is crafted in the elegant silhouette of a traditional liquor bottle (Jubyeong), textured with the organic feel of linen cloth and finished with delicate stitch details. Despite its fabric-like appearance, the interior is fully glazed, making it perfectly waterproof for holding fresh flowers. It also doubles as a sophisticated diffuser vessel to enhance your space.
Production Year: 2025
Production Technique: mold slip casting