Seong Soyun is an enamel artist who works with traditional Korean chilbo techniques, translating the luminous possibilities of enamel—light, color, and depth—into a contemporary sculptural language.
Rooted in the traditional process of firing glass-based enamel onto metal at high temperatures, her practice delicately explores chromatic depth, transparency, and the layered movement of light. Fire and time play an essential role in shaping each work, introducing chance alongside intentional structure.
Employing a range of techniques, including cloisonné, plique-à-jour, and glass enamel, Seong moves fluidly between vessels and jewelry. She is particularly drawn to the moment when enamel encounters light, expanding the material and sensory boundaries of traditional craft into modern forms.
Rather than reproducing tradition, Seong proposes a vision of chilbo grounded in the present. Within refined forms, her work holds accumulated time and warmth, quietly revealing both the continuity and the contemporaneity of Korean enamel craft.
Awards
2018 Encouragement Award, Hanyang Art Awards
2018 Silver Prize, Korea Inter-Korean Unification World Environment Art Awards
2017 Different Material Idea Award,
Japan International Cloisonné Jewelry Contest, 2016 Special Selection, Gangjin Minhwa Museum Competition
2016 Special Selection, Iksan Craft Competition
2014 Excellence Award, Hanyang Art Awards
Solo Exhibitions
2017 You Illuminate Your Light
Solo Exhibition, KCDF Gallery
2023 Wonderland
Solo Exhibition, Bukchon Exhibition Hall
Group Exhibitions
Participated in numerous group exhibitions and association exhibitions
This work reveals moments when light meets vitreous enamel,
allowing color and depth to slowly rise across the surface of tableware.
Though functional in use, the cup and plate become vessels
where sensation gently emerges before form.
Production Year: 2025
Production Technique: Vitreous enamel
This work reveals moments when light meets vitreous enamel,
allowing color and depth to slowly rise across the surface of tableware.
Though functional in use, the cup and plate become vessels
where sensation gently emerges before form.
Production Year: 2025
Production Technique: Vitreous enamel
This work reveals moments when light meets vitreous enamel,
allowing color and depth to slowly rise across the surface of tableware.
Though functional in use, the cup and plate become vessels
where sensation gently emerges before form.
Production Year: 2025
Production Technique: Vitreous enamel
This work reveals moments when light meets vitreous enamel,
allowing color and depth to slowly rise across the surface of tableware.
Though functional in use, the cup and plate become vessels
where sensation gently emerges before form.
Production Year: 2025
Production Technique: Vitreous enamel
This work reveals moments when light meets vitreous enamel,
allowing color and depth to slowly rise across the surface of tableware.
Though functional in use, the cup and plate become vessels
where sensation gently emerges before form.
Production Year: 2025
Production Technique: Vitreous enamel
It is an incense holder in which smoke slowly rises over a glassy enamel surface.
The kiln-fired vitreous enamel quietly holds the light,
while the smoke that brushes past appears and disappears without form.
Ascending reveals a sensory sense of time
through the contrast between what remains and what disperses.
Production Year: 2025
Production Technique: Vitreous enamel
A small vase made to hold a single flower,
designed to resemble a still life when hung on a canvas.
The surface of the enamel shifts subtly with the light,
evoking the relationship between an unchanging presence and a changing self.
Production Year: 2025
Production Technique: Vitreous enamel