Created with the motif of soft human body lines. The form built up by hand with clay bears countless traces of the hand. The finished form with its preserved hand-textured surface seems alive. The artist pursues vital ceramic sculptures through the texture of hand-formed shapes and voluminous lines.
Education
2015 M.F.A., Ceramics, Graduate School of Crafts, Kyoto City University of Arts, Kyoto, Japan
2008 B.F.A., Ceramics, Department of Craft, Sungshin Women’s University, Seoul, Korea
Solo Exhibitions
2019 <As an invisible process> Or.er Archive, Seoul, Korea
2017 <Whispering Whispering> Gallery Yesulgabang, Seoul, Korea
2015 <The longing for home in the heaven> Gallery Keifu, Kyoto, Japan
Group Exhibitions
2019 003atelier, 003archive, Seoul, Korea
2018 Korean Craft Artists Exhibition, Gallay Life Seeding 綻堂蒔光, Taipei, Taiwan
2017 Ceramics, Gyeonggi International Ceramic Biennale –
China Exhibition, Nansong Art Space, Hangzhou, China
<Language of Hands> Kyungin Museum of Art, Seoul, Korea
2016 <Toyo 土琉> , 1898 Gallery Myeongdong, Seoul, Korea
<Tea Time> Gallery Jarfo, Kyoto, Japan
2015 <3-days Exhibition> Gallery Jarfo, Kyoto, Japan
Kyoto City University of Arts Production Exhibition, Kyoto City Museum of Art, Kyoto, Japan
2014 <KESHET Exhibition> Gallery Jarfo, Kyoto, Japan
Asian Contemporary Ceramics Exchange Exhibition, Clayarch Gimhae Museum, Gimhae, Korea
Graduate International Student Exhibition, @KCUA Gallery, Kyoto, Japan
2013 Craft Graduate Program Exhibition, Shakutori Asobi, Gion Konishi, Kyoto, Japan
Asia Ceramics Exhibition, 21st Century Museum of Contemporary Art, Kanazawa, Japan
Other Activites and Awards
2025 Participating Artist, Maison&Objet Paris — K-moment Exhibition, Paris, France
2023 Young Art Shop, Hangaram Art Museum, Seoul Arts Center, Seoul, Korea
2018 Craft Trend Fair — Creative Studio Section, Seoul, Korea
2017 Excellence Award, Korean Women Ceramic Artists Association Competition
2017 Selected for Star Product Development Program, Korea Craft & Design Foundation
2016 Korea–Japan Artist Workshop, G-Ceramic Life Fair
2010 Selected Scholar, Mitsubishi Art Gate Program
Created with the motif of soft human body lines. The form built up by hand with clay bears countless traces of the hand. The finished form with its preserved hand-textured surface seems alive. The artist pursues vital ceramic sculptures through the texture of hand-formed shapes and voluminous lines.
Production Year: 2025
Production Technique: Ceramics / Hand-building
A work created with the motif of a baby's plump, voluminous lines. The artist pursues ceramic sculptures that seem almost alive, preserving the texture of the hand. By placing a light fixture on top, it efficiently functions as a stand lamp in the space or decorates the space as a ceramic objet.
Production Year: 2025
Production Technique: Ceramics / Hand-building
A vessel for flowers. Pursues curved lines that preserve the traces of the hand. Created using white slip decoration (Buncheong) applied after forming the shape.
Production Year: 2025
Production Technique: Ceramics / Hand-building
