Category
Art MerchandiseCountry
KoreaGenre
Objects & Sculptural Craft, Living & Home DécorPauline Louise Studio practices "Digital Craft," deconstructing and reinterpreting the forms of traditional ceramics into digital data and re-materializing them through 3D printing. While the pieces appear as complete forms—such as the Maebyeong, Moon Jar, or Gourd Bottle—from the front, they instantly transform into distorted images as the viewer moves their physical position. We seek to deliver the joy of discovering and contemplating surreal scenes where reality and unreality intersect depending on one’s vantage point. Through this process, we explore how the sculptural values of traditional pottery can be reconstructed within a digital landscape.
Seoul Design Festival, COEX, 2025
Yeongdeungpo Cultural Foundation 2025 Living Art Fair, Conrad Hotel Seoul, 2025
Print Bakery, ‘art for foodie’, 2025
Yonsei University Gallery, Group Exhibition ’LIMINAL’, 2025
Gallery Shisun(GS Engineering), Group Exhibition, 2022
Objects & Sculptural Craft, Living & Home Décor
Art Merchandise
"Distorted Series" appears as an intact ceramic from a frontal perspective, yet instantly transforms into a distorted form as the viewer moves their position. We seek to deliver the joy of discovering and contemplating surreal scenes where reality and unreality intersect depending on one’s vantage point.
* Historically, Obangsaek has been used in various aspects of life—from children’s saekdong-jeogori to dancheong and wedding attire—as a symbol of warding off misfortune and praying for good fortune. Based on these colors, the ‘Saekdong’ captures harmony and balance through its color arrangement, wishing for peace and luck in everyday life.
Production Year: 2025
Production Technique: 3D printing
"Flat Series" appears as an intact ceramic from a frontal perspective, yet instantly transforms into a distorted form as the viewer moves their position. We seek to deliver the joy of discovering and contemplating surreal scenes where reality and unreality intersect depending on one’s vantage point.
* Historically, Obangsaek has been used in various aspects of life—from children’s saekdong-jeogori to dancheong and wedding attire—as a symbol of warding off misfortune and praying for good fortune. Based on these colors, the ‘Saekdong’ captures harmony and balance through its color arrangement, wishing for peace and luck in everyday life.
Production Year: 2025
Production Technique: 3D printing
"Distorted Series" appears as an intact ceramic from a frontal perspective, yet instantly transforms into a distorted form as the viewer moves their position. We seek to deliver the joy of discovering and contemplating surreal scenes where reality and unreality intersect depending on one’s vantage point.
* Historically, Obangsaek has been used in various aspects of life—from children’s saekdong-jeogori to dancheong and wedding attire—as a symbol of warding off misfortune and praying for good fortune. Based on these colors, the ‘Saekdong’ captures harmony and balance through its color arrangement, wishing for peace and luck in everyday life.
Production Year: 2025
Production Technique: 3D printing
"Portrait Series" consists of vase objects featuring kitschy expressions. They appear as intact ceramics from a frontal perspective, yet instantly transform into distorted forms as the viewer moves their position. We seek to deliver the joy of discovering and contemplating surreal scenes where reality and unreality intersect depending on one’s vantage point.
Production Year: 2025
Production Technique: 3D printing
"Distorted Series" appears as an intact ceramic from a frontal perspective, yet instantly transforms into a distorted form as the viewer moves their position. We seek to deliver the joy of discovering and contemplating surreal scenes where reality and unreality intersect depending on one’s vantage point.
* Historically, Obangsaek has been used in various aspects of life—from children’s saekdong-jeogori to dancheong and wedding attire—as a symbol of warding off misfortune and praying for good fortune. Based on these colors, the ‘Saekdong’ captures harmony and balance through its color arrangement, wishing for peace and luck in everyday life.
Production Year: 2025
Production Technique: 3D printing
"Portrait Series" consists of vase objects featuring kitschy expressions. They appear as intact ceramics from a frontal perspective, yet instantly transform into distorted forms as the viewer moves their position. We seek to deliver the joy of discovering and contemplating surreal scenes where reality and unreality intersect depending on one’s vantage point.
Production Year: 2025
Production Technique: 3D printing
"Portrait Series" consists of vase objects featuring kitschy expressions. They appear as intact ceramics from a frontal perspective, yet instantly transform into distorted forms as the viewer moves their position. We seek to deliver the joy of discovering and contemplating surreal scenes where reality and unreality intersect depending on one’s vantage point.
Production Year: 2025
Production Technique: 3D printing
"Portrait Series" consists of vase objects featuring kitschy expressions. They appear as intact ceramics from a frontal perspective, yet instantly transform into distorted forms as the viewer moves their position. We seek to deliver the joy of discovering and contemplating surreal scenes where reality and unreality intersect depending on one’s vantage point.
Production Year: 2025
Production Technique: 3D printing
"Portrait Series" consists of vase objects featuring kitschy expressions. They appear as intact ceramics from a frontal perspective, yet instantly transform into distorted forms as the viewer moves their position. We seek to deliver the joy of discovering and contemplating surreal scenes where reality and unreality intersect depending on one’s vantage point.
Production Year: 2025
Production Technique: 3D printing
"Intersecting Series" appears as an intact ceramic from a frontal perspective, yet instantly transforms into a distorted form as the viewer moves their position. We seek to deliver the joy of discovering and contemplating surreal scenes where reality and unreality intersect depending on one’s vantage point.
* The partitioned interior allows you to use a single module independently, enabling a diverse range of visual arrangements.
Production Year: 2025
Production Technique: 3D printing
"Intersecting Series" appears as an intact ceramic from a frontal perspective, yet instantly transforms into a distorted form as the viewer moves their position. We seek to deliver the joy of discovering and contemplating surreal scenes where reality and unreality intersect depending on one’s vantage point.
* The partitioned interior allows you to use a single module independently, enabling a diverse range of visual arrangements.
Production Year: 2025
Production Technique: 3D printing
"Distorted Series" appears as an intact ceramic from a frontal perspective, yet instantly transforms into a distorted form as the viewer moves their position. We seek to deliver the joy of discovering and contemplating surreal scenes where reality and unreality intersect depending on one’s vantage point.
Production Year: 2025
Production Technique: 3D printing
"Intersecting Series" appears as an intact ceramic from a frontal perspective, yet instantly transforms into a distorted form as the viewer moves their position. We seek to deliver the joy of discovering and contemplating surreal scenes where reality and unreality intersect depending on one’s vantage point.
* The partitioned interior allows you to use a single module independently, enabling a diverse range of visual arrangements.
Production Year: 2025
Production Technique: 3D printing
"Distorted Series" appears as an intact ceramic from a frontal perspective, yet instantly transforms into a distorted form as the viewer moves their position. We seek to deliver the joy of discovering and contemplating surreal scenes where reality and unreality intersect depending on one’s vantage point.
Production Year: 2025
Production Technique: 3D printing
"Distorted Series" appears as an intact ceramic from a frontal perspective, yet instantly transforms into a distorted form as the viewer moves their position. We seek to deliver the joy of discovering and contemplating surreal scenes where reality and unreality intersect depending on one’s vantage point.
Production Year: 2025
Production Technique: 3D printing
"Distorted Series" appears as an intact ceramic from a frontal perspective, yet instantly transforms into a distorted form as the viewer moves their position. We seek to deliver the joy of discovering and contemplating surreal scenes where reality and unreality intersect depending on one’s vantage point.
Production Year: 2025
Production Technique: 3D printing
